Walking – with cloudy canvases

You can know yourself, if you bring up those cloudy canvases from your dreams, today, this day, when you walk awake, open-eyed.

Memory is valuable for one thing, astonishing: it brings dreams back.

Antonio Machado, from Times Alone

There’s something quietly unsettling in Machado’s words — the idea that our dreams are not separate from us, but unfinished conversations with ourselves. Most mornings, dreams dissolve almost instantly. We reach for our phones, our routines, the practical demands of the day, and whatever felt vivid a few moments earlier slips back into fog. But Machado seems to suggest that if we pause long enough to carry those ‘cloudy canvases’ into waking, morning-walking life, they can reveal something true about who we are.

This month, I’m engaging in a daily challenge: a three-mile walk awake, open-eyed. Along the way, unexpected memories emerge from their burrows like the rabbits and hares I meet on the path, their distinctive ears attuned and pointing to the sky. In Machado’s idea of abstract art — of cloudy canvases — I recognise something of the colour and ultimately boundless and borderless shape of my own humanity.

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Roberto Cacciapaglia, ‘Gratitude,’ from the album ‘Diapason’ with the Royal Philharmonic Orchestra

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I think that’s what makes memory so strange and valuable. Not because it preserves facts perfectly — it rarely does — but because it keeps emotional truths alive. A dream remembered hours later may not make logical sense, yet it can leave behind a feeling that lingers all day – delight, longing, fear, tenderness, regret, hope, melancholy, joy and gratitude. Sometimes those feelings point more honestly toward our inner lives than our carefully organised thoughts ever could.

What I love most about the poet’s suggestion here is its gentleness. It doesn’t demand certainty or interpretation. It only asks us to remain open-eyed to ourselves — to notice what rises from beneath the surface, and to treat even our fleeting dreams as part of the story we are still becoming.

As much a phenomenon

where great art is found
joy and hope abound in life’s
expressive dancing

Absolutely astonishing! – I’m just back from a 25th Anniversary live screening of Riverdance (link) – ‘as much a phenomenon as a show.’ Thirty-something years ago I was spellbound by the intense connection between Jayne Torvill and Christopher Dean dancing on ice at the Birmingham NEC to Ravel’s Bolero. I remember being well-nigh overwhelmed, deeply touched by such communion and trust between two persons.

Riverdance, today, is an extravaganza. A most exquisite, generous and magical celebration of Irish life, love, history, mystery, joy and pain. Hauntingly beautiful Uilleann pipes, accordion, drums, fiddle, harp, song and whistles. Electrifying, foot-tapping, synchronised Irish (and American and Russian) dancing. Utterly gorgeous costume and staging. Wow! the arts can teach us a thing or two about community, connection, and the rewards of discipline: ‘like any athlete, we think of ourselves as striving in our sport to be the very best that we can be.’

I am deeply delighted. And humbled. And – because such art exists among humankind – also profoundly hopeful.

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Caoineadh Cú Chulainn, Bill Whelan
Uilleann Pipes, Tara Howley

This is lament (link) and love for an entire culture: a piece about mourning Cú Chulainn, a warrior hero and demigod in the Ulster Cycle of Irish mythology, as well as in Scottish and Manx folklore. The underlying ‘drone’ of orchestral harmonies that are gradually heard here, like ‘dawn’ behind and around the lone (in this case, female) Uilleann piper, may bring tears to your eyes. Our lives are surrounded and supported by ‘other’ sounds – the cantus firmus, the enduring melody

🌱🙏🇺🇦🙏🌱