I repeat myself
I know – but am in awe of
art’s design in ice
SRM – MM Haiku 82 Day 112
a friend and I watch
out for daily festivals –
here is one of them
SRM – MM Haiku 74 Day 104
‘Do you ever just close your eyes on winter evenings to remember summer?’ my friend asked me, earlier today, with a wistful look in her eyes. ‘On winter evenings, certainly,’ I replied, ‘and pretty much most mornings, too.’
Sure enough, I’m an advocate of living in the present, but part of the joy of living now is time found here to re-member the past, thereby inspired to breathe deep today, and begin to imagine and to shape the next second or two, as we do.
So here’s a little revisiting Summer ’16. You’re invited to stay here, now, for a little space, and – hopefully – some present grace …
I’ve tried to count
your petals but lose
track each time
around and recall
that numbers never
touched my senses
with clarity of cold
or warmth or taste or
touch or sight or
scent or sound and
after rain this late
I note that tall
and elegant you’re
not much of an
and for you too
life is celebrated
sometimes by each of
these but in the main
by radically returning
your searching face to
I have learned from long experience that there is nothing that is not marvellous and that the saying of Aristotle is true – that in every natural phenomenon there is something wonderful, nay, in truth, many wonders. We are born and placed among wonders and surrounded by them, so that to whatever object the eye first turns, the same is wonderful and full of wonders, if only we would examine it for a while.
John de Dondis, 14th century
quoted in J S Collis
The Worm Forgives The Plough, 1973, p170
Plenty of reason to have a good English moan about continuing rainfall today – or to sit down to a meditation session, having first noticed the magnificent, soaring canvas of clouds in every shade and hue of grey on high, and the all-the-more-glorious advent of sunlight from time to time, so that the potatoes in our kitchen garden are both moistened and warmed, beneath the chunter and fuss of thirty or so disgruntled sparrows who don’t appear to like rain much. Or meditation.
Open your eyes gently and focus upon just one wonder for a while, breathed the guide – in the fourteenth century. And I did – on this wet July day in the twenty-first. And as it turned out there was no moaning about the rain. Or anything else.
I brushed some snow from a garden bench this afternoon and my bare fingertips instantly felt the sharp bite of ice so that I was much less inclined to sweep it from the chairs! But as a thaw progresses and snowdrop shoots appear fresher, greener, stronger and taller than they did before, it occurs to me that the same snow that nipped my fingers has apparently blanketed and protected them.
Nature’s a never-ending source of wonder!
Our neighbourhood has been quietened by snow and ice in the past twenty-four hours. There’s an especial sort of crisp, clear silence to be found beneath a starry night sky in a snow covered garden and – as ever – I find myself utterly enthralled by the notion that there is no music without the space of silence wherein life’s notes may fly. Which brings me …
‘Space, the bound of a solid’. Silence, then, the
form of a melody
Not, Silence, for thine idleness I raise
My silence-bounded singing in thy praise,
But for thy moulding of my Mozart’s tune,
Thy hold upon the bird that sings the moon,
Thy magisterial ways.
Man’s lovely definite melody-shapes are thine,
Outlined, controlled, compressed, complete, divine.
Also thy fine intrusions do I trace,
Thy afterthoughts, thy wandering, thy grace,
Within the poet’s line.
Thy secret is the song that is to be.
Music had never stature but for thee,
Sculptor! strong as the sculptor Space whose hand
Urged the Discobolus and bade him stand.
Man, on his way to Silence, stops to hear and see.
The Poems of Alice Meynell, 1847-1923
London, Hollis and Carter, 1947