The colour in reflections

screenshot credit @gingerandpicklesbookshop
screenshot credit @gingerandpicklesbookshop
screenshot credit @gingerandpicklesbookshop

Edinburgh is a city with whom I am engaged in perpetual discussion! – with architecture, with colour and line, with suddenly come upon and breathtakingly startling vistas, with bookshops, with birdsong, with history (mine and the city’s), with music (I’ll walk a quartermile out of my way to trace the source of the sound of the Pipes), with poetry, wind, hills, coastline – and anticipated conversations with others who are haunted and delighted and vivified by it as well.

Engaged too with the reflection that settles in one’s soul’s having been calmed, and drawn, and enchanted by her colours and her reflections. Edinburgh may certainly be spoken to, but there’s immeasurable benefit to be celebrated in deeply listening to her too. Hers is a hard won, long won, weft and wisdom. And in such slow contemplation there’s a seeing sunrise, sunlight, sunset, moon and starlit spaces behind – whilst simultaneously seeing sunrise, sunlight, sunset, moon and starlit spaces ahead.

Windows into the soul are so important. Here we find ourselves sustained by what’s behind us, and by what is – here in this city, in this ‘window’, right now, and by the light that calls us forward. All this, so often seen in one and the same windowpane. In a bookshop, or a stationers, or our own home, or our own dreams, or – most beautiful among the firmament of the windows of the soul – the eyes of family or friend or beloved.

All this discussion, contemplation and reflection steadily leads us inexorably to metamorphosis – gives wings to ‘The Extraordinary Life,’ to ‘The Boy (or Girl) Who Loved,’ to what ‘Bunheads’ might think of as the Dance of Life. And a certain being at home with oneself, be the days warm or cold, happy or sad: all the while growing …

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Recovered

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The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be here—a time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.

Wendell Berry
The Sorrel Filly, Collected Poems: 1957-1982

What is to be done after a reading of Wendell Berry? A walk outdoors as soon as possible. And if the poem has been feasted upon in early evening then a sunset walk will probably be necessary – with a camera close to expectant hearts.

And so it was … and tonight we did ‘stand / … glad to have recovered what is lost.’ And though these images are written well enough upon the aforementioned hearts, still the photographs, the written record, will remind us, over time, to stand … glad, again and again and again. Awed.

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