Running The Red Line

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What an enormous privilege it was to be invited to capture some images of a vibrant and wonderfully ‘alive’ book launch for Julie Carter’s Running The Red Line on 21 April at The Skiddaw Hotel, Keswick. There’s nothing quite so wonderful as a room full of inspiring and inspired, encouraged and encouraging, charismatic and articulate friends – gathering to celebrate something profoundly rich – and thereby ‘write in light’, creating living poetry in the electrified air.

Broadband users, please click on the image above for a photobook (pdf) which will download in around 30 seconds.  Best viewed full screen.

 

Then and now and will be

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for JMT, 1960-2018, on the eve of her birthday

And on the hillside
where we stood
elevated
the something that passed
between us
as though it were a
tidal current was already
as old and as new as the
Ancient of Days – in the
retrospect and in the
there and then and now
and in the prospect of
all eternity

That light, that current –
illumination and anticipation
launched a something that
is the everything
Immortal –
Yes, something to be
heard
like a song among the
stars, laughing and crying
held safe and aloft and
flying –
on that hillside
held and holding

Surprised
you and I encountered a
Divine Love and knew it to be
an Undying
in us, primarily
in those graced moments
but also in whomsoever –
and all are ultimately
capable of simply
letting go, and smiling and
then the final thankful sighing –
oh, little one, yes, you
great one

Elevated, celebrated: I love you

SRM

The Wind on the Downs

The Wind on the Downs

I like to think of you as brown and tall,
As strong and living as you used to be,
In khaki tunic, Sam Brown belt and all,
And standing there and laughing down at me.
Because they tell me, dear, that you are dead,
Because I can longer see your face,
You have not died, it is not true, instead
You seek adventure in some other place.
That you are round about me, I believe;
I hear you laughing as you used to do,
Yet loving all the things I think of you;
And knowing you are happy, should I grieve?
You follow and are watchful where I go;
How should you leave me; having loved me so?

We walked along the towpath, you and I,
Beside the sluggish-moving, still canal;
It seemed impossible that you should die;
I think of you the same and always shall.
We thought of many things and spoke of few,
And life lay all uncertainly before,
And now I walk alone and think of you,
And wonder what new kingdoms you explore.
Over the railway line, across the grass,
While up above the golden wings are spread,
Flying, ever flying overhead,
Here still I see your khaki figure pass,
And when I leave the meadow, almost wait
That you should open first the wooden gate.

Marian Allen
from The Wind on the Downs,
Humphreys, 1918

Friendships, peace, and freedom of movement in Europe and beyond are of profound importance to me.

I’ve always failed to understand the attraction of too-proud-nationalism – on the battlefield or the sports arena. I cannot begin to imagine the horror of being required to take up arms against another person.

I cannot be persuaded that my political, religious or social beliefs and opinions are the only ones worth having. I have virtually no inclination to set myself in competition with anyone. I’m frequently dumbstruck by the casual violence implicit in the way some people speak of others.

I smiled wryly when I recently read an earnest report about the (relatively benign) effects of light pollution, wishing dearly for higher concentration instead on the thumping noise pollution that blights town and countryside alike. I’m genuinely and generally horrified by the uninvited racket that accompanies such a great deal of cinematic and television output, and even just ordinary social engagement.

And I am frequently beleaguered by the impression that some in our society are absolutely obsessed with gratuitous violence as forms of filmed and televised “entertainment”.

I was touched to the core when I first read Marian Allen’s The Wind on the Downs. I felt I knew her. But more, more even than that, my heart was touched by the millions of other hearts who, for similar reasons, have written poems like this one throughout human history; and by those who are writing similar poetry today, and will be – perhaps with stubby pencil on scraps of paper whilst crammed on board a dangerously overloaded inflatable boat, or perched in the midst of bombed-out dusty concrete dereliction in Syria, tomorrow.

Here still I see your khaki figure pass,
And when I leave the meadow, almost wait
That you should open first the wooden gate.

I want to learn from Marian Allen’s humility, and from the sacrifice of her beloved. And I pray for a personal way of life, and for a humankind, whose first and last priority is – here-and-now – a generously humble, inclusive, quietly reflective and loving heart.