Walking – with cloudy canvases

You can know yourself, if you bring up those cloudy canvases from your dreams, today, this day, when you walk awake, open-eyed.

Memory is valuable for one thing, astonishing: it brings dreams back.

Antonio Machado, from Times Alone

There’s something quietly unsettling in Machado’s words — the idea that our dreams are not separate from us, but unfinished conversations with ourselves. Most mornings, dreams dissolve almost instantly. We reach for our phones, our routines, the practical demands of the day, and whatever felt vivid a few moments earlier slips back into fog. But Machado seems to suggest that if we pause long enough to carry those ‘cloudy canvases’ into waking, morning-walking life, they can reveal something true about who we are.

This month, I’m engaging in a daily challenge: a three-mile walk awake, open-eyed. Along the way, unexpected memories emerge from their burrows like the rabbits and hares I meet on the path, their distinctive ears attuned and pointing to the sky. In Machado’s idea of abstract art — of cloudy canvases — I recognise something of the colour and ultimately boundless and borderless shape of my own humanity.

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Roberto Cacciapaglia, ‘Gratitude,’ from the album ‘Diapason’ with the Royal Philharmonic Orchestra

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I think that’s what makes memory so strange and valuable. Not because it preserves facts perfectly — it rarely does — but because it keeps emotional truths alive. A dream remembered hours later may not make logical sense, yet it can leave behind a feeling that lingers all day – delight, longing, fear, tenderness, regret, hope, melancholy, joy and gratitude. Sometimes those feelings point more honestly toward our inner lives than our carefully organised thoughts ever could.

What I love most about the poet’s suggestion here is its gentleness. It doesn’t demand certainty or interpretation. It only asks us to remain open-eyed to ourselves — to notice what rises from beneath the surface, and to treat even our fleeting dreams as part of the story we are still becoming.

Vision

Photo by Pixabay on Pexels.com

Vision: from videre – ‘to see.’

I’ve enjoyed a very satisfying hour or so making a personal vision board. A daydreaming session. Notes and images related to what life might look like, for me and for others, in the course of 2024. Two things are particularly striking about my easily assembled collection. The first, unsurprisingly – for a vision board! – it flags up a host of things I want to see. The second standout is that almost every aspiration, every dream, conjures up images of other people. Soft images. There’s gentleness, hope and quietness involved in this vision, alongside some of the busier, more energetic, more musical, somewhat noisier, encounters. I realise that, perhaps especially at this moment in world history, I long for the kinder, gentler, quieter elements of life. I wrote a few days ago about my reading David Brooks’ How To Know A Person: The Art of Seeing Others Deeply and Being Deeply Seen – wherein he cites a pure piece of ‘vision board’ knowing from D H Lawrence. I’m drawn to it again and again: I hear my vision board murmuring ‘softly, softly’ …

Whoever wants life must go softly towards life, softly as one would go towards a deer and fawn that are nestling under a tree. One gesture of violence, one violent assertion of self-will and life is gone … but with quietness, with an abandon of self-assertion and a fullness of the deep true self one can approach another human being, and know the delicate best of life, the touch

D H Lawrence
Lady Chatterley’s Lover

What a thing to see.

What a wonderful vision: to ‘know the delicate best of life …’

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