Walking with Haiku

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i

wide eyed owl sits light
on an ancient platform of
oak and sometimes hoots

ii

foal looks into the
blind eye of an old mare and
thereby knows her depths

iii

blackbird sings for to
call his love who will bring to
birth his future songs

iv

bluebells about the
skirt of the hill invite quiet
delight and picnic

v

dappled sunlight golden
gladdens the heart of one who
came to it downcast

vi

forget-me-not’s call
to minds fractured by life’s cares
is soul’s light within

vii

silk eared labrador
bounds ahead as though present
she already lives there

viii

haughty cat sits on
warmed stone garden wall and is
secretly smiling

ix

timid orb eyed – tail
quivering beneath beech leaves
slowly awakening

x

man beckoned forth to
nature encounters deep joy
amongst earth’s glories

SRM

 

Memories of chewing the cud

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Pipe in hand

There was once an old man lived on Martyrs
Bay who, pipe in hand, told of a foot tall
soul whose hair was green, and – many a long
year since – skittering about the Old Nunnery
garden, he had seen

quiet as a mouse and quite inoffensive, she
whispered in human ears: ‘I’m come from a
schlemaig just West of the highest mountain on
Mars by way of light years, aeons, suns and moons
and stars

and I whisper a missive from Mother
who sent me: though legend and myth
may sometimes purport otherwise, nothing
in the Universe is ever wholly ruined – for
every atom retains

potential, giftedness and grace, ever cheered
anew by Wisdom’s breeze across its face: so on this
rock though your roof be blown off and you’ve
neither window pane nor door, allow the little
one from a Martian schlemaig a paean to more –

for you came here to learn that not only is She
our family name, but Wisdom, dear taller siblings,
is eternally ours, and Her Source, the Same.’

And I honour the old man on Martyrs Bay sand, who
content with tobacco and pipe in his hand, speaks
gently even now of a skittering he had seen, and of
whispers shared with a delightful pint-sized sprite
with hair of Iona green

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Inward and outward

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barcelona dawn | photo at pixabay

The Inner History of a Day

Born quietly from deepest night,
It hid its face in light,
Demanded nothing for itself,
Opened out to offer each of us
A field of brightness that travelled ahead,
Providing in time, ground to hold our footsteps
And the light of thought to show the way.

The mind of the day draws no attention;
It dwells within the silence with elegance
To create a space for all our words,
Drawing us to listen inward and outward.

We seldom notice how each day is a holy place
Where the eucharist of the ordinary happens,
Transforming our broken fragments
Into an eternal continuity that keeps us.

Somewhere in us a dignity presides
That is more gracious than the smallness
That fuels us with fear and force,
A dignity that trusts the form a day takes.

So at the end of this day, we give thanks
For being betrothed to the unknown
And for the secret work
Through which the mind of the day
And wisdom of the soul become one.

John O’Donohue
The Inner History of a Day
To Bless the Space Between Us: A Book of Blessings

I’ve been enjoying photos of the Eclipse as seen in the US; and good and brave souls embracing and ‘getting back to normal’ on Las Ramblas in beautiful Barcelona; and hundreds of other snapshot fragments of life around the world on the 21st August 2017.

And I’m so grateful for John O’Donohue’s calling our attention to the ‘eucharist of the ordinary’ – that quiet inner life, the dawn ‘born quietly from deepest night,’ where all humankind and natural phenomena together are joined in the ‘work through which the mind of the day / and wisdom of the soul become one.’

Transforming our broken fragments.

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Allegiances

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photo at pixabay

Allegiances

It is time for all the heroes to go home
if they have any, time for all of us common ones
to locate ourselves by the real things
we live by.

Far to the north, or indeed in any direction,
strange mountains and creatures have always lurked –
elves, goblins, trolls, and spiders: – we
encounter them in dread and wonder,

But once we have tasted far streams, touched the gold,
found some limit beyond the waterfall,
a season changes, and we come back, changed
but safe, quiet, grateful.

Suppose an insane wind holds all the hills
while strange beliefs whine at the traveler’s ears,
we ordinary beings can cling to the earth and love
where we are, sturdy for common things.

William Stafford
The Way It Is – New & Selected Poems

A few key dates in William Stafford’s life: born in Kansas in 1914. A conscientious objector in World War II. A man whose habit was to write something daily, who would rise at 4.30am to ‘sit and wait’ for what he knew lay within to be written. His volume West of Your City published by Talisman Press in 1960; Allegiances published by Harper in New York in 1970; the author of over fifty books, he died at his home in Oregon in 1993.

William Stafford thoroughly understood that once we have tasted far streams … / found some limit beyond the waterfall, / a season changes, and we come back, changed …

And therein lies our hope for this old world in our own time and season.

Dreadful elves, goblins, trolls and spiders have always existed. Some of them, some of us too, have sought to be ‘heroes’ – fenced around by their and our own ignorance. It is time for all the heroes to go home.

How then may I and we locate ourselves by the real things / we live by – ?

Perhaps – having tasted – it has always to start with me, with what I now clearly see: that instead of kidding myself it’s my job to change the entire world (whoever I am, whatever my place of birth, gender, skin colour, creed or lack thereof, and wherever on earth I think myself called to be the hero, the unsolicited ‘saviour of the world’) my best contribution to that same world will be to allow seasons and experience to change me.

While strange beliefs whine at the traveler’s ears,
we ordinary beings can cling to the earth and love
where we are, sturdy for common things.

Note sturdy. Not wimps without cogniscence of – or willingness sometimes to act upon – right or wrong. Not people who turn blind eyes to goblins and trolls. Not people who do not grieve, or hope, or offer healing or hospitality, or pray, or live and die. But sturdy. Believing in the possibility of being positively changed. Experienced in the quiet and slow methods and the poetry of seasons.

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I am grateful for …

click photos to enlarge – a second time to zoom further

… lingers awhile along borders for a translator to savor secretly,
borrowing from both sides, holding
for a moment the smooth round world
in that cool instant of evening before the sun goes down

William Stafford
from Walking the Borders
The Way It Is – New and Selected Poems

I write a few lines in my meditation journal each day, and from time to time review what I’ve written – looking for patterns and repetitions. One of the most frequent notes that appears in the ‘I am grateful for …’ sections is what I often describe as ‘nature’s art and light’.

And I realise that the poets I regularly turn to have eyes and ears for the detail in the natural wonders that surround them; some having especial penchant for the sky, or sea, or lakes, or mountains, or sweeping plains, or animals and their particular, chosen, encouraged or given habitats, flora and fauna. I delight in all of these.

But most of all I am entranced by light, always changing, writing, painting, softening, sharpening, defining, reaching, touching, listening – full from earth to sky with metaphor and parable, reaching onwards, upwards, and into the heights and depths of the Universe. And into my soul.

So it was during our after-supper walk this evening. So it was a million aeons ago. So for a million, million more. Meditating in and upon light I stand time and again in awe.

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